Saturday, August 29, 2015

SF Review - One Day After by William R. Forstchen

One Year After: A Novel
Hardcover – September 15, 2015
Book Description: New York Times bestselling author William R. Forstchen brings a sequel to his hit novel One Second After. Months before publication, One Second After was cited on the floor of Congress as a book all Americans should read, a book discussed in the corridors of the Pentagon as a truly realistic look at the dangers of EMPs. An EMP is a weapon with the power to destroy the entire United States in a single act of terrorism, in a single second; indeed, it is a weapon that the Wall Street Journal warns could shatter America. One Second After was a dire warning of what might be our future...and our end. Now, One Year After returns to the small town of Black Mountain, and the man who struggled so hard to rebuild it in the wake of devastation-John Matherson. It is a thrilling follow-up and should delight fans in every way.

My Take

One Year After is a post apocalyptic disaster novel and a direct sequel to One Day After, a New York Times bestseller in 2009. I have not read the earlier book. My introduction to William Forstchen's writing was way back in 1983 when I read and enjoyed his first science fiction novel, Ice Prophet, the first book in a trilogy and you guessed it, a post apocalyptic story set well into the future. One Year After however is fully rooted in contemporary times.

One Year After is an everyman story, set in an ordinary town, whose characters could be your neighbours. The titular leader of the community is John Matherson, ex-soldier, professor, husband and father. There is a folksy air to the whole thing that is quite refreshing. No over-the-top heroics. McGuyverisms or any other larger than life exploits that so often underscore post-apocalyptic tales.

Recovery from the huge EMP attack that destroyed the country's technological infrastructure is in its infancy and the community emanates a renewed sense of optimism until a newly reformed government intrudes and begins to disrupt their progress with calls for a military draft that could devastate their hard-won security and rebuilding efforts. John has doubts and concerns about their intentions which only grow as events unfold.

The narrative relates the personal stories of many of residents, their losses, their strengths and hopes for the future, creating familiar context that binds the reader to this community. They struggle with re-learning pre-electronic technology to restore basic human services. No one has all the answers. No hats. No rabbits. And not everyone gets a happy ever after.

Tension and a degree of paranoia is created and sustained because of the towns isolation from lack of communication ability. Other than some infrequent BBC World broadcasts on old equipment, they know very little about the state of rest of the country. The new federal government administrator is sketchy and cloaks most information behind a "need to know" wall and is surrounded by hostile troops of the new ANR (Army of National Recovery). "Requests" are made and then demands. The novel starts out at a leisurely pace and builds quickly to crisis, action and conflict and ultimately a limited victory.

Forstchen brings this chapter in the lives of the people of Black Mountain, North Carolina to a satisfying conclusion but events clearly dictate a further continuation of the story. I quite liked this smaller stage, the ordinary people and their extraordinary efforts and sacrifice. John as a history professor often quotes from history and in particular Winston Churchill. I think if you could ask the fictional John Matherson to describe what mattered most for Black Mountain he would quote this from Churchill, “You ask, what is our aim? I can answer in one word. It is victory, victory at all costs, victory in spite of all terror, victory, however long and hard the road may be; for without victory, there is no survival.” That is the essence of their struggles.

One Year After is recommended as a solid entry in the post-apocalyptic ouevre. It stands fine on its own without the need to have read One Day More, but likely you will want to know the whole story..

AUTHOR SHOWCASE

Author William R. Forstchen
 Links: 

Other books in this series:

One Second After (2009)



Thursday, August 27, 2015

Speculative Fiction Author Birthdays - Ann Aguirre & Richard Kadrey


Happy birthday to author Richard Kadrey best known for his Sandman Slim urban fantasy series and numerous other fine fantasy concoctions. Also celebrating today is the multi-talented Ann Aguirre who has multiple series crossing over from science fiction to urban fantasy to YA and more. Here are their latest offerings...

Killing Pretty (July 2015) is the seventh novel in the Sandman Slim series.
Breakout (Aug 2015) is the third book in the Jax universe spinoff series The Dred Chronicles. Ann also writes as Ava Gray and A.A. Aguirre



Tuesday, August 25, 2015

TV Review - Fear the Walking Dead Pilot

Last nights premiere of the Walking Dead spin-off, Fear the Walking Dead, had the challenge of meeting high expectations from fans of the series. I have watched all of the Walking Dead seasons and am a devoted fan. So what was my take on this semi-prequel set in Los Angeles?

Originally I planned to write this review yesterday morning but having watched the 90 minute episode Sunday night didn't feel compelled to get down to it. Why? I wanted a chance to let my reaction percolate a little and unfortunately it remains slightly lukewarm.

In its own way the opening salvo is an origin story, at least for the family that the episode focuses on and suffers as most such setups do. Too much seemingly irrelevant details. Individually their performances were fine but the characters themselves left me ambivalent. Do I care about them? Not at this point which I recognize is early, but they will have a long way to go to make this family interesting.

Conversations and dialogue seemed deliberately off-kilter I assume to begin to create the necessary suspense and build tension. I found this to be a little artificial and unnatural. I recognize that the audience is in the know about what is to come but for some of the simplest things the characters seem obtuse, not asking questions where a normal person surely would.

The cast
One of the strongest features of the Walking Dead debut that contributed to its wow factor launch was the fantastic soundtrack. Fear the Walking Dead's sound and music seems functional and forgettable. Let's hope it improves. There were a couple of minor scenes that were odd or silly and included the kid in the guidance counselors office with his dire prognostications. A character straight out of central casting for a Stephen King novel. We'll see if that angle goes anywhere. From a "what were they thinking of" point of view I nominate the principal's office scene where the mother talks to his back and we wonder for a moment if he has turned walker. Way too lowbrow.

But all is not doom and gloom or yawn worthy because the final five minutes definitely throws gasoline on the walker fire. Creepy and satisfying, they should have reached for that moment 30 minutes sooner.

Episode 1 Score: C+

Urban Fantasy/Fantasy Author Birthdays - Laura Anne Gilman & Simon R. Green

Happy birthday to two talented fantasy/urban fantasy writers, Laura Anne Gilman who made her breakout with the Costra Nostradamus UF series which remains one of my all-time favourites and Simon R. Green architect of the Nightside UF series and many (and I do mean many) other series of fantasy and SF. Simon's newest release comes out today on his birthday! Here are their most recent offerings...

Silver on the Road (Oct 2015) First book in a new heroic fantasy series called The Devil's West.
Forces from Beyond (Aug 2015) is book 6 in his Ghost Finder series.

Monday, August 24, 2015

Urban Fantasy Author Birthday - Nicole Peeler

Happy birthday to Nicole Peeler author of the very funny Jane True urban fantasy series that also happens to have some of the most fabulous cover art. Here's her newest release...

Jinn and Juice (2014). Not part of Jane True series.

Science FIction Author Birthday - Orson Scott Card

Happy birthday to Orson Scott Card, prolific science fiction and fantasy writer and winner of multiple Hugo and Nebula awards. Check out his newest release.

Visitors (2014) final book in the Pathfinder trilogy.


Sunday, August 23, 2015

Sasquan Hugo Coverage and More Web Highlights

I watched the Hugo Awards ceremony via live streaming last night and hosts David Gerrold and Tananarive Due put on a really good show. A trifle long but then what awards ceremony isn't? Robert Silverberg and Connie Willis were among several guest presenters that were standouts with their wit and humorous anecdotes. David Gerrold also rallied the TAFF winner, Nina Horvath into presenting multiple Hugo`s particularly in the fan categories. She was delightful and representative of fandoms roots.
Dalek, David Gerrold and Tananarive Due
Hugo auditorium. Photo by Olav Rockne.
No Award was voted in five categories including Best Novella, Short Story, Related Work, Editor Short Form, and Editor Long Form. These votes were a response from fandom to the Sad Puppy and Rabid Puppy controversy over nominations in these categories. A very thorough analysis of the controversy and its` impact can be read at Wired Magazine in this article - Who Won Science Fiction's Hugo Awards, and Why It Matters.

That aside, the winners were...

BEST NOVEL - The Three Body Problem, Cixin Liu, Ken Liu translator (Tor Books)
BEST NOVELETTE - “The Day the World Turned Upside Down”, Thomas Olde Heuvelt,
Lia Belt translator (Lightspeed, 04-2014). Podcast of story.
BEST GRAPHIC STORY - Ms. Marvel Volume 1: No Normal, written by G. Willow Wilson, illustrated by Adrian Alphona and Jake Wyatt, (Marvel Comics)
BEST DRAMATIC PRESENTATION, LONG FORM - Guardians of the Galaxy, written by James Gunn and Nicole Perlman, directed by James Gunn (Marvel Studios, Moving Picture Company)
BEST DRAMATIC PRESENTATION, SHORT FORM - Orphan Black: “By Means Which Have Never Yet Been Tried”, ” written by Graham Manson, directed by John Fawcett (Temple Street Productions, Space/BBC America)
BEST PROFESSIONAL ARTIST - Julie Dillon
BEST SEMIPROZINE - Lightspeed Magazine, edited by John Joseph Adams, Stefan Rudnicki, Rich Horton, Wendy N. Wagner, and Christie Yant
BEST FANZINE - Journey Planet, edited by James Bacon, Christopher J Garcia, Colin Harris, Alissa McKersie, and Helen J. Montgomery. Photo by Olav Rockne.
BEST FANCAST - Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
BEST FAN WRITER -Laura J. Mixon. Photo by Olav Rockne.
BEST FAN ARTIST - Elizabeth Leggett. Photo by Olav Rockne.
JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER - Wesley Chu (Award for the best new professional science fiction or fantasy writer of 2012 or 2013, sponsored by Dell Magazines). Photo by Olav Rockne.
Other non-Hugo awards presented early in the ceremony were the Forest J. Ackerman Big Heart award to Ben Yalow, the Sam Moskowitz archive award to David Aronovitz, First Fandom Hall of Fame award to author Julian May

Best joke of the night was David Gerrold noting that "George R.R. Martin isn't on Twitter anymore because he killed all 140 characters". And the best quote of the evening was "Science fiction is the R&D of the human race".

You can view more photos from the awards here and here.

Sasquan established a few Worldcon records with the highest membership ever recorded exceeding 11,300 supporters and the highest voter participation for the Hugo`s with nearly 6,000 ballots submitted. Other firsts included the Best Novel winner, The Three Body Problem by Cixin Liu as the first translated novel ever to win in this category. Combined with the announcement of Helsinki Finland as the 2017 Worldcon site, it seems that the Worldcon is truly living up to its`designation. And certainly a very memorable moment was NASA astronaut Kjell Lindgren announcing the nominees and winners for best novel from the International Space Station. A true science fiction moment.

A popular feature of all Worldcons is the Masquerade. Be sure to check out the official photographic coverage of the event here and the list of winners here.


Also of note is David Gerrold`s fine Guest of Honor speech reproduced here for your enjoyment.

Hello.

My name is David and I am a science fiction fan.

Admitting you have no power over reality is the first step.

I'm here because someone on the committee thinks I know what I'm talking about. I’ll try not to embarrass them.

In 1973, I attended my first Star Trek convention in New York. It was one of the very big fan-run cons, and it was one of the best parties I'd ever been to. The con-committee asked me to be on a panel about writing science fiction. I was happy to say yes.

I arrived at the panel a few minutes early. There was only one track of programming, so there were already several thousand people assembling in the ballroom. I sat down at the table and waited.

A few minutes later, Isaac Asimov came in and sat down beside me. We already knew each other, so I said, “Hi, Isaac,” and he said, “Hi, David.” Then Hal Clement came in and sat down on the other side of me. I admired Hal as much as, if not more, than Isaac. We knew each other a little too. I said, “Hi, Hal,” and he said, “Hi, David.”

And then it hit me. I was sitting between Isaac Asimov and Hal Clement.
And a little voice in my head said, "David, what the hell are you doing, sitting between Isaac Asimov and Hal Clement?" And another little voice in my head -- there's a whole committee in here sometimes – said, "Keep your mouth shut or the audience will be asking the same question."

But as this was a Star Trek convention, and I was the only Star Trek writer in attendance, so the first question came to me. A young fan asked, "How important is scientific accuracy in your scripts."

I said, "I think scientific accuracy is very very important, so if I don't know anything, I pick up the phone and call Isaac. And if he doesn't know, he picks up the phone and calls Hal. So let me just pass the microphone to Hal." And I did.

The point of the story is that from the very beginning, I have been in a state of awestruck admiration of the science fiction authors who I grew up with, who shaped my childhood and informed my adolescence.

When I was 9 years old, I discovered a book in the Van Nuys Public Library called “Rocket Ship, Galileo.”

“Here, kid. The first one’s free….”

I’m still 9 years old … with 62 years of experience.

Fan is short for fanatic. I am a fan.

I am such a devoted SF fan that when I realized there were books I wanted to read that no one else was writing, I sat down to write them myself.

I am such a devoted fan that I turned down opportunities to have a career in much more profitable fields so I could keep writing science fiction. More than once.

I could have been a lot of other things. I'd rather be a science fiction writer.
Being a science fiction writer — you become a custodian of the future. You get to create possibilities that might someday evolve from probability to inevitability.

Being a science fiction writer is the best job in the world. You get to go anywhere in time and space, past or future or sideways into alternate realities and other dimensions. You get to visit all the possibilities and all the impossibilities. A science fiction writer is a literary timelord.

Who wouldn’t want that job?

Now — let me talk about fans. All of us.

This Worldcon — this is the high point of our calendar.

The Worldcon is a self-assembling village, constructed new every year, every time in a different city. And every year, the responsibility for its construction is entrusted to a different committee, a group of people who have willingly, insanely, asked for that privilege.

Year after year, the members of the committee, always volunteers give years of their own time and energy to make this assembly work. So please, before you leave this convention, make sure you thank the committee, the workers, the volunteers, the assistants — everyone who worked so hard behind the scenes so that we, the family of fans could gather and celebrate our love of the sense of wonder.

To be invited as a Guest of Honor at a Worldcon, whether it's artist, author, fan, or special guest — it is the community's way of saying, "Attaboy. You done good.”

Speaking as one of this year's recipients of that acknowledgment -- I have to say it is humbling, it is embarrassing, it is overwhelming, and it is also -- did I mention overwhelming -- it is also overwhelming. Because it is the community saying, "Please stand here, in the same place as Heinlein and Asimov and Clarke and LeGuin and McCaffrey and Herbert and Sheckley and Pohl and Willis and Resnick and all those others who have set the standards of excellence."

And that's pretty goddamn overwhelming to the 9-year old boy who discovered a copy of Rocket Ship Galileo in the Van Nuys public library in 1953. I'm still 9 years old, with 62 years of experience.

But as much as being a Guest of Honor is an acknowledgment to be desired by any author or artist or fan, there's an even greater honor that we rarely talk about, because most of us take it for granted. It’s one that we all share.
It is the honor of being a part of one of the most remarkable communities on the planet.

See, I didn’t come here to be honored — well, a little bit — I came here to honor you.

Think about the kind of people we are. We aren't just dreamers, we're builders. The stories we've written have helped design the future that we've built and are continuing to build. Whether it's things as mundane as sliding doors or smartphones or as mind-blowing as a moon-landing, a space station, and robots exploring Mars and Pluto -- none of these things happened by accident. They happened because of the very human urge to explore and discover and ask the next question.

So I'm a fan — part of fandom not because it's a great place to sell books -- [holds up book, this is the commercial] -- but because it's a much better place to confer, converse, and otherwise hobnob with my brother (and sister) wizards. I'm here to enjoy hanging out with old friends and new.

And also because as readers, you are the toughest possible audience. You are the goalposts. You are the challenge that every author must meet. You are the applause or the catcalls. Ultimately, you are the ones who define excellence in this genre. You do it by what you buy and who you honor.
There’s something else about readers. Something amazing. Follow this.
Every time you open a new book, you’re getting inside someone else’s experience. You’re looking out through their eyes, hearing through their ears, feeling what they feel, experiencing a different life.

And after you’ve read enough books — I think a couple hundred is the magic number — you become a different person. You become a person who has a sense that the universe is larger than you have ever imagined — and you are not alone in it.

And from that, you start to get the glimmer of understanding that others have thoughts and feelings, wants and needs and desires of their own. And you start to become respectful of that.

We call that empathy.

It is my not very humble opinion that most human problems stem not from a failure to communicate — but from a lack of empathy, a failure to care, a failure of respect.

I think readers — especially the readers who challenge themselves — gain an enhanced sense of empathy. We start to notice and care about people outside our own immediate circle. We start to notice and care about other living things — animals and plants. We start to notice and care about our entire planet. That’s empathy. And from there — we can even start to think about the possibility of life on other worlds, who might live there, how they might be very different than us and who we have to become to meet them.

Empathy is path to true sentience — awareness of others, awareness of the effect we have on them, awareness of the effect we have on our environment, awareness of the future we’re designing for ourselves. From that awareness, we develop wisdom— as individuals, and as a species.

We live in a time when our science is giving us both awareness and ability.
Science fiction allows us to examine the choices before us. That key sentence of wisdom — “If this, then that” — allows us to consider the consequences of our choices and choose wisely. Science fiction encourages the development of transformational thinking.

In other words, it makes us weird. The best kind of weird.

We start out looking for grand adventures. We end up finding stories that knock us out of the chair and flat on our ass, gasping for breath.

Sometimes we want to curl up in our comfortable chair and have a nice safe adventure —but sometimes also, we need to be outraged.

Sometimes we need to be kicked out of our comfort zone — the zone of resignation, that place that’s defined by what we’re willing to settle for.

Sometimes outrage is a good thing, because it awakens us to something that’s wrong, something that needs to be challenged, confronted, changed.

And that’s the unspoken goal of this genre — the transformation of the mundane into the marvelous.

As such, science fiction is the most ambitious branch of literature.
Nothing else comes close. No other genre, no other kind of storytelling has such infinite horizons in time and space and possibility. No other kind of storytelling has such an extraordinary impact on its audience. Especially when it takes us to places we’ve never been before, places we’ve never even imagined.

For the last half century, I’ve been studying this genre, trying to figure out what makes a great science fiction book or story.

Consider these landmark works: The Stars My Destination, Dune, Ringworld, Aye and Gomorrah, The Left Hand of Darkness, Dhalgren, Slaughterhouse Five, Discworld, When It Changed, The Ones Who Walk Away From Omelas, Flowers For Algernon, Starship Troopers, “Repent Harlequin!” Said The Ticktock Man, The Ship Who Sang, Rendezvous With Rama, More Than Human, Seven Views of Olduvai Gorge, The Man In the High Castle, and way too many more to list here. And I’m sure you all have your own lists.
For the last half century, I’ve been asking — what makes a great science fiction story? It’s an impossible question. Looking over all these masterworks, there is no single defining criterion for greatness.

I think that’s the defining criterion. There isn’t one.

A great science fiction story goes someplace that the genre has never gone before. So you can’t define science fiction by any static criterion — because science fiction, like the culture that nurtures it, is continually evolving.

Earlier this year, I suggested that great fiction is ambitious. More than that, it’s subversive. Because the status quo is the enemy.

But that definition is insufficient. Ambition isn’t achievement. Let me rewrite Sturgeon’s Law. 90% of everything is derivative. 95%. It’s the other 5% that’s innovative.

Derivation is the momentum of the past. There’s nothing wrong with it. I’m not equating derivative with bad or wrong. It is a further and usually necessary exploration of what has previously been established. It’s important.
But the other 5% — well, referring to Sturgeon again, here’s Gerrold’s Corollary. If 95% of everything is crap that’s still no guarantee that the other 5% isn’t.

The same is true of innovation. Just because something is innovative doesn’t automatically make it great. Windows 8….

But referring back to that list of great stories above — all of them, every one of them, each in its own way, was innovative. And that is the one thing that all of them do have in common.

Great science fiction is innovative. It defies expectations.

The innovative story breaks rules, demolishes definitions, redefines what's possible, and reinvents excellence.

The innovative story is unexpected and unpredictable, not only new — but shocking as well. Innovation demands that we rethink what’s possible. Innovation expands the event horizon of the imagination. It transforms our thinking.

And I think that on some level, even though I can't speak for any other writer but myself, I still think that this is what most of us, maybe even all of us, aspire to — writing that story that startles and amazes and finally goes off like a time-bomb shoved down the reader's throat. Doing it once establishes that you're capable of greatness. Doing it consistently explodes the genre.
So yes, that’s the real ambition — to be innovative — to transform thinking — to make a profound difference in who we are and what we’re up to. To be a part of the redesign of who we are and what we’re up to.

Because science fiction is the only literature that asks the question, “What does it mean to be a human being?”

Why does existence exist and how does this universe really work? What is our place in it? Who are we? And what do we do in this meager flicker we call life?

I don’t know that the answers are achievable — Godel suggests they aren’t — but when we ask these questions, we stop selling out to the 98% of our DNA that is chimpanzee — we start becoming the missing link between apes and civilized beings.

And…all of this is why I admire science fiction writers so much.

As I see it, the job of the writer is to take the biggest bite of imagination possible — and then grow the jaws to chew it. The challenges are incredible. But when ambition becomes achievement, the world changes. We change.
Because when we stumble or crash or rush headlong, accidentally or on purpose, into the realm of the innovative — at that moment, we've not only discovered something new, we've also become the kind of person who can discover that thing. Every time out, we get stretched. And there’s no going back to playing small.

That’s the real adventure.

I came to science fiction as a nine-year old. I’m still nine years old.

Next year I’ll have 63 years of experience being nine.

Science fiction has been a joyous adventure for every one of those years. And as long as I can keep having joyous adventures — and even a few horrifying ones — I'll be here.

Thank you. I’ll meet you all in the playground.
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